I’m a designer, artist, and object-maker driven by the desire to make rigid materials feel alive—transforming flat, static surfaces into flowing shapes that echo air currents, water, twisted tree branches, or sea creatures.

Each piece is a kind of emotional architecture, built to evoke feeling through gesture, geometry, and space. I’m fascinated by how curves, light, and negative space can quietly soothe or awaken something within the viewer. My process blends improvisation with design knowledge, allowing instinct and structure to coexist.

For me, geometry is a form of emotional communication—a language that bypasses the intellect and speaks directly to feeling. My sculptures don’t ask to be analyzed; they invite you to feel them. They’re not rigid declarations but soft, open-ended gestures. Even in their strangeness, they aim to feel familiar—like something you’ve seen before but can’t quite place—gently guiding the viewer from thought into presence.